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May 24, 2007

Lost: Episode 3.22 Review

Good thing I do my podcasts on Sundays, not Wednesdays, because if I had to do a podcast tonight, it would consist solely of the sound of my brain slowly leaking from my ears.

Game changer, indeed. “Through the Looking Glass” took the basic storytelling premise of the show, added a little Mikhail Bakunin bomb to the mix (literally and philosophically), and voila, we now have enough story to fill forty-eight more episodes over the next three years. Well played, “Lost”, well played.

These instareviews are scattershot on the best of nights, but Lord in heaven, I honestly have no idea where I’m going to go with this review. I will start small and work towards that ginormous mindf#ck of a last scene, which I only saw coming about 15 seconds before it happened.

Also? I'm pretty sure I know who was in that coffin.

Through The Looking Glass, Darkly

Since I never, ever get anything right when I come up with my weekly theories, it’s always good when I actually get one of them right. And since there’s no way you’ll remember, I’ll point you in the general direction. The gist is this: I figured out fairly early on that Naomi was in fact NOT working for Penny Widmore. My theory was that she was actually working for her father, Desmond’s nemesis, Charles.

Now, tonight, we didn’t actually learn that Naomi worked for Charles…but we did learn that Ben was scared beyond belief by her presence, indicating that she was part of group of people who would “destroy” the island. Whether Ben meant that this people would reign fire and brimstone along the countryside, rendering all on the island their mere slaves, or if Ben merely knew that Wal*Mart was looking to expand to new markets, we’ll never know. Now, we’ve seen over the past two seasons just how unreliable a narrator Ben can be, making him the more psychotic version of Tristram Shandy, but in this case, he ostensibly was correct.

What we can surmise, judging from this episode, is that this island is pretty damn hot property. We’re talking, like, The Hamptons times 47 or something. Big time demand. We’ve got an island of natives and believers hunkering down and staking claim to it, we’ve got the Hanso Foundation eager to exploit it, we have a freighter 80 miles off-shore zeroing in on it, and we have some Portuguese dudes in the Antarctic looking for it on behalf of Penny. My theory, which I hope bears out (as opposed to the ones I hope don’t? Beats me), is that Naomi worked for Charles, and that Charles has been tapping Penelope’s life, found out about the sky turning purple, and sent in the troops.

We know definitively that Penelope did not send Naomi there, which leaves only Charles with the ability to have that photo, the location, and the psychological makeup of the inhabitants to send in Naomi. And by inhabitants, I mean not only the Lostaways, but the Others, as well. It’s been my running theory that in the wake of the Purge, The Widmore Corporation, once partners with The Hanso Foundation, essentially took over the island in a, wait for it, wait for, HOSTILE takeover. See what I did there? With the “hostile”? Damn, I’m smooth.

But why? Why now? That’s the $6 million dollar, 3-seasons to answer question. Why co-opt the island? Why forcibly remove The Others from power?

Because that’s what I believe we’ll see happened. Jack called for help. Help came.

Only it didn’t help at all.

I Do Appreciate You’re Being Round

On my podcast last Sunday, I listed five possible things that would happen in tonight’s episode. Three of them actually happened (Charlie dying, Walt appearing, a good chunk of people leaving the island). I also went onto say that I would have ventured that EVERYONE got off the island by episode’s end (which would be a huge game changer indeed) except for the fact that Jacob was so recently introduced. And Jacob’s no Paolo-type character here. Jacob didn’t say, “Help me get some toilet paper!” after all.

Locke’s role on the island going forth will be that of Island Protector. It’s why we saw him leave the group after being unable to kill Jack before Jack could call for help. The Island, through Walt’s image (I’m not ready to say it was actually Walt just yet), knew of Widmore’s impeding arrival, knew of the corruption that would take place both on and to the Island, and sent Locke as its messenger/hero to save the day. And that’s what Jacob meant when he asked Locke to help him in the cabin two weeks ago. Locke’s sole purpose from here on out is to protect the Island. Eventually, who knows, he might be able to like, shoot somebody. It’s a skill that may come in hand, probably. Most likely. OK, most definitely.

If Season 3 was about The Others, Season 4 is going to be about The Island. Its history, its makeup, its properties, its influence. Why does the mind matter so much on this island (just a clever way of asking why there’s so much mind over matter on this island)? What makes the Island tick? (Lord, I sound like a quasi-mystical Match.com here). Why was Ben so insistent on protecting this island from the outside world? And most importantly: why is the ISLAND so insistent on protecting itself from the outside world?

Bad Vibrations

Turns out the purpose of the Looking Glass was not, in fact, to serve as a type of “Stargate” for the Island, which is a huge relief to me personally because I freakin’ hate “Stargate” in all its 87 iterations. It was, at least in Ben’s eyes, a last line of defense. At some point between the Purge and Oceanic 815 crashing, a schism occurred between those on the Island and those off of it. Problem is for those off, that it’s next to impossible to truly get to the island. Only a few people know the way on or off, and methinks Ben kept that little kernel of info a secret.

The Looking Glass, then, was something so important that it forced Ben, who hates just about more than anything to be called a liar, to lie to his own people about its status. Ben stood in power for so long by compartmentalizing information, telling people either only what they needed to know or needed to hear (whether it was true or not). Season 3, among many things, so the inevitably fall of his house of cards. But here’s the thing: his despair at the end of the episode was real and genuine. His almost inertia after getting the holy hell beaten out of him by Jack showed just how much he knew he could no longer talk his way out of his corner anymore. He truly believed Jack would give him the phone, which is why he ordered a FAKE murder before rendezvousing with our Moronic Leader.

As for the codeword “Good Vibrations”, it was a nice touch on many levels. First, it locks the “Looking Glass” hatch clearly in the late 60’s, around the time the hatches were built. It ties into the hippy dippy nature of the Hanso Foundation, who would have enjoyed playing this and “White Rabbit” on their 6-string guitar after daily trips to the Arrow Station. And it also alludes to the unique electromagnetic properties of the Island, and the assumption that these properties could eventually produce “good” results that would change the Valenzetti Equation.

Course, wouldn’t you know it, Mikhail dropped a bomb on the proceedings as Desmond’s vision came to pass: he flipped the switch, the light went off, Charlie drowned, and Claire got off the island along with Aaron. Just one slight problem with that outcome.

Aaron’s now dead.

Days of Future’s Past

The mystery of this episode’s “flashback” was simple: What was in the press clipping? What would drive Jack to try and commit suicide? What could have pushed him to the brink?

The show used the audience’s perception of the flashback narrative device to throw us for a loop, once we may not recover from for a while: everything involving Grizzly Jack happened AFTER they were taken off the Island. After getting a “Golden Pass” from Oceanic 815, he flew as many LA to Southeast Asia/Australian flights as he could, trying in vain to correct the mistake of using Naomi’s phone. But only when he saw a clipping in a newspaper, a small 3 paragraph or so article, did he truly slip and fall into suicidal mode.

About halfway through the flashbacks, we see Grizzly Jack attend a funeral viewing that only he showed up for. The person inside the casket is a mystery, but from an overhead shot, we can see that no more than a toddler could ostensibly be in that coffin. At the time, I didn’t think too much of it, but again, this was pre-brain oozing. Now I have time to think about it.

And here’s my take on why Ben was so scared, why Locke was so adamant about Jack not making the call, why Walt suddenly freakin’ appeared out of nowhere, why Jacob said “Help me!” two episodes ago, the whole point of the online “Lost Experience” last summer, and why Aaron’s body will soon be buried somewhere in Los Angeles.

Ready? Deep breath, y’all. We’re diving to the Looking glass station, fanwankingly speaking of course.

(Last chance. This is seriously long.)

As mentioned earlier, it’s been my assumption that the Widmore Corporation worked with The Others: feeding them info, providing supplies, things of that nature. But I don’t think this was always the case. In fact, it’s quite possibly the case that some sort of arrangement was worked out, after the fact, in a way that would be mutually beneficial to both parties. After all, the labs were all still there, still functional, and the Others had knowledge of the lay of the land. Just avoid Smokey, Charles Widmore said, and help us solve this little Valenzetti problem.

After all, according to the “Lost Experience”, an evil subset of Hanso, run by Thomas Mittlewerk, in association with people from Widmore, were still trying to see Hanso’s initial dream of saving the world work. Problem is, at least as far as we’re concerned, is that Hanso was too much of an idealist and not capable of making hard decisions for the greater good. In Mittlewerk’s eyes, according to the game, these hard decisions involved things like killing off 30% of African tribes in order to observe specific genetic markers. Oh, and all these experiments? Taking place in present time, not decades ago. (The protagonist, Rachel Blake, actually showed up at ComiCon 2006 in character to assail the producers of "Lost" for glorifying the Hanso Foundation. Trippy stuff.) No one really figured out why the game took place in 2006 as opposed to 2004, the year the show takes place in, but after tonight, it makes a bit more sense.

Ben and the Others soured working with Widmore after a while, and Widmore was none too pleased with Ben, especially after his obsession with pregnancy started. But what to do? The Island was a fantastic defensive position, and Ben had the sub and the working knowledge to get to and from the Island. But he knew that could last forever, that technology would eventually catch up with the island’s properties. After all, even though the island had been there for millennia, nothing lasts forever.

So he takes two women aside and positions them in the Looking Glass, with the sole job to jam any signal leaving the island via the radio tower. Their sole mission is to be the very last line of defense against the Widmore Corporation, who Ben now realizes is a huge threat to the Island, to Jacob, and to the way of life he so dearly enjoyed. He also plans for a runway to be built, which ties into a project in Canada (obliquely mentioned by Mikhail in the Looking Glass) in order to sidestep Widmore completely. Widmore, in turn, is furious, can’t believe that Ben’s turned on him, and sees no way to continue important research in the one place on earth that it’s possible to do so.

Until Desmond comes along.

We can understand Charles’ boatrace as a way to send a spy, basically, into the heart of the enemy. A spy that if he can’t track, his daughter, in love with him, certainly could. The thing I’d never figured out: how did Penny get so much access to so much money to find Desmond? Wouldn’t her father get suspicious? Turns out he may have used her to find the Island the way the Yellow Man in “Sin City” uses Hartigan to find Nancy Callahan. (Don’t worry, I won’t write the rest of this review in faux Frank Miller-isms.)

In the meantime, Ben gets busy forming a society of his own that can sustain life on the island.

When Desmond finally turns the switch at the end of Season 2, he gets immediately into action, and gets a freighter as close as he can possibly associate with the anomaly. The freighter still can’t “see” the island, but Naomi is sent on a one-way trip to use Widmore’s new-fangled, boy oh boy you can get reception with this bad boy ANYWHERE, cell phone. Widmore wasn’t about to send in Naomi with say, the cell phone I own, which doesn’t even get reception from my cubicle at work. That plan would be, in the words of Aristotle, “totally sucktastic”.

When Ben hears about the phone from Mikhail a few episodes ago, this sent off triggers in his head that Charles was coming to collect, that his time was possibly up. He tells Richard to continue onto the “temple”, a clue that indicates Ben is appealing to the powers of the island to help the pregnancy issue resolve, and indicates just how deeply he wants to commune with the island in the way that Locke does so naturally. So he sets up a final ploy to convince Jack that the boogeyman is coming to collect, only by now he’s the Ben Who Cried Wolf, soon to be Ben Who Got the Snot Beat Out of Him.

As for what happened between the time Jack called the freighter (dude, have you NOT learned by now to not trust guys in boats near the coast of this island) and that final shot of Jack and Kate outside LAX at an indeterminate time later to discuss returning to the island? Here’s my insta-theory, subject to change every week until 3 years from now.

The Widmore cronies come on to the island and immediately gather up pretty much everyone. There’s soon an incursion during which multitudes of doctors, physicians, mathematicians, and other folk descend to the Island thanks to Widmore’s deep pockets and determination to change the Valenzetti Equation, no matter what the cost. Losties and Others are separated, jailed, put into camps, tested. The ones still useful to the project are kept, the ones useless are sent home, paid off, and told to keep quiet.

But after all, who would believe a story like theirs, anyways? Doomed to a life knowing that some of their friends are left behind to be treated like lab rats, those who got off, including Jack and Kate, live half-lives, wondering what would have happened had they just listened to Ben and Locke.

And then Aaron, poor Aaron, the baby born on the island, unable to live in the real world, his body unable to truly adjust to a non-Island life, died. Sure, they might have taken him to the best facilities, and ran all sorts of tests, but nothing worked, and no one believed anything his mother said about special vaccines from an organization no one has ever heard of, and we're so sorry, Claire, but there's nothing we can do for him, the doctors all said one by one by one. No one who made it off the island showed up to the funeral. No one wanted to own up to the selfish shame of wanting to get off the island, only to have it all turn out so horribly wrong. No one but Jack, who is so bad off he almost committed suicide upon reading about Aaron’s death.

The end.

And on THAT happy note…

Final Thoughts

I’ve barely touched on a host of things (The HurleyMobile mowing down Ryan, Jin’s supersperm leading him to be such a poor shot, hell, Charlie’s amazing heroism in general) due to just how jampacked this episode was. I’ll leave that to this weekend’s podcast, and future, intermittent “Lost” essays throughout the summer and fall. There’s so, so, so much to chew on, as the show just narratively exploded its boundaries, and too much speculation could prove to be fruitless. But that doesn’t mean it’s not fun as hell.

We’re left at LAX, some unknown amount of time after the “rescue”. Jack’s turning slowly but surely into his father, who is now ALIVE, apparently (a conundrum I don’t even want to get into at this point, given that it’s after midnight and the oozing won’t stop from seeing a made-up Kate talking to Grizzly Jack about how they should have never left the island). An unknown number of people must have gotten off the island, enough to fill a room with 25 or so seats, and an unknown number remaining on the Island, including one John Locke.

And Jack wants to get back.

Why?

We’ll find out in Season 4.

***

I’d like to take a quick second at the end here to thank all of you who’ve read my reviews and/or listened to the podcasts this season. It’s meant a lot and I’ve enjoyed hearing your feedback. Keep this site bookmarked and please, if you haven’t, subscribe to my podcast feed so you’ll always get the latest updates. Both of those will be updated off and on throughout the rest of the calendar year, leading up to next season’s 16-episode season.

Thanks again, and I look forward to your comments below.

Posted by Ryan McGee at May 24, 2007 12:33 AM

Comments

I loved the X-Files, but the season finale of Lost, and season 3 overall represent tv drama at its highest level. The audacity of Lost's producers/writers is amazing. They reinvented a hit tv show tonight and introduced a whole new batch of fascinating mysteries to a show already overloaded with them (I mean this as a complement, not a gripe). How many tv shows are this bold and creative?

Even before the final, mind blowing scene, the episode was terrific and full of memorable scenes; Hurely saving the day with a bus attack, Sawyer executing Tom (I cheered), Locke/Lazarus taking out Naomi, Charlie's death scene, etc. Has there ever been a Lost episode more interesting and thrilling? I loved last season's finale but jesus, tonight was tv magic.

My thinking about the identity of the corpse in the casket was Sawyer because of Kate's amivalent reaction to Jack's question at the end about the funeral. But I did not pay attention to the size of the casket. I too am baffled by Jack's references to his presumably dead dad. Maybe he was babbling due to the drugs. I don't buy that his father is alive; and I don't think the writers will go the route of alternative time streams or time travel because that gets confusing and they don't have enough episodes left to take that approach.

Jack's feeling that leaving the island was wrong raises the question, what the hell happened after they were "rescued". Why does Kate not seem to share his view?

My guess is that durng next season "present time" will be the time period used for Jack's flash forward and the flashbacks will deal with the events following their rescue. And other flashbacks will be of the standard variety predating the crash; for example, we will, I hope, get a Rousseau flahsback.

Locke was last seen ambling into the wilderness. Perhaps he is still on the island, now joined with the remaining Others in a last ditch effort to save the Island.

isn't it amazing that only a few weeks after Jacob was revealed (sort of) we are now not even talking about Jacob because we are blown away by the developments in the finale? How bold are the writers to reinvent a hit show after 3 seasons?

Posted by: Dan at May 24, 2007 01:14 AM

First off, thank you for your reviews. I read them for every episode, even though I never post comments. It is nice to here other people's opinions about the show.

Secondly, I loved the show tonight. Incredible.

Thirdly, why did they have to make Charlie so awesome for a brief moment in time, just to kill him off? Bastards. Very effective though. I will miss the hobbit. However, the writers gave him a very admirable, noble death. Who doesn't love that.

Looking forward to returning in February. Geez, that's a long time.

Posted by: Heather at May 24, 2007 01:30 AM

ok...ok.....ok. its the day after the show and i'm still trying to compose myself here. that was just...intense. an INSANE 2 hours of television. wow.

first, i love these reviews. you kick some serious Dharma butt.

i went back and tried to read the article Jack had that told him about whoever it was who died. i couldn't read most of the title, but the first 2 words were "Man Found..." so i'm not sold on Aaron being in the casket, not unconvinced, but not sold. who knows though. my personal gut-feeling it that its Locke in the casket. i have no idea how someone pried him off the island but there it is.

Chalie was just amazing. that last scene was phenomenal. i hope Patchy lost an arm doing that. why won't that guy just die already?

i cheered when Sawyer shot Tom. that was just plain awesome. and i cheered when Jack beat the tar out of Ben...and when Rousseau punched him. that was brilliant. i whooped when the Dharma van came charging out of the jungle. i wailed when Charlie had his heroic ending. in a nutshell, my dog was very scared of me last night.

can't wait until February. am going to HAVE to wait until then, but won't be happy about it.

Posted by: mri at May 24, 2007 09:07 AM

Just as Christian apparently is alive in this future, I also noted that Kate is not in jail. Are we seeing a future that also contains a changed, pre-Island past?

Posted by: Cris Criswell at May 24, 2007 09:56 AM

Regarding Jack's "alive" father...I think that was just a way to throw the audience off to the fact that these weren't flashbacks. If you go back and watch, when Jack references his dad, its in the situations where he's trying to get himself drugs or get himself out of trouble. Just throwing the name out there as a means of credibility...it doesn't necessarily imply that he is now alive. Jack is just using his name to get what he wants.

Posted by: bob at May 24, 2007 10:01 AM

Here's what I was able to pull from a screen capture of the newspaper clipping.

LOS ANGELES

Man found dead in
downtown loft

The body of Jo...antham of
New York was...shortly after 4
a.m. in the...of Grand
Avenue.

So it's not anyone we have met yet or someone going by a different name.

Posted by: Scott at May 24, 2007 10:04 AM

Funniest lines of the episode

Ben(to Alex): This is your mom..

(mom and daughter embrace)...

Danielle(to Alex): Want to help me tie him up?

nothing like a good 'ol dysfunctional family reunion

Posted by: escowhat at May 24, 2007 10:08 AM

You've got a pretty good analysis going here. Allow me to disagree with one point, though. The person in the casket is not Aaron. It's Ben.

My evidence? First of all, mri is right that the article said "man found", which most likely rules out Aaron. And if it was Aaron, surely someone would have come to the funeral. Claire at least, right? Hurley? Doctors, nurses, someone? The death of a baby is so tragic that I doubt no one would show. Jack never seemed that attached to the little guy, so it seems odd that he would be distraught to the point of suicide over it. Additionally, when asked about whether he was "friend or family" wouldn't he at least have claimed Aaron as a friend?

Actually that phrase is the key. Who would Jack not claim as friend or family yet be so disturbed over his death? Well, we know that at this point Jack is trying desperately to get back to the island. It seems to me that the death of this person is the last "nail in the coffin" (forgive the pun) in his dream of returning. Logically that would mean the only person (save of the evil Whidmore Foundation folks) who has knowledge of how to get back. And that would be Mr. Linus.

I suppose there's a remote chance it's Locke, but ya gotta figure its much more likely that Ben was removed from the island by the "rescue team" than Locke, who probably escaped into the jungle.

There's even logical reasons why Ben would die so quickly: once he was taken from the island and its protective powers, his cancer returned. Or perhaps he comitted suicide?

My wife wrote up her thoughts and posted them here if you want to take a look.

Posted by: Jud at May 24, 2007 10:19 AM

This might be a record for me having a theory debunked, time-wise. Nice catches all on the paper clipping, which wasn't available when I wrote all this. I figured Jack didn't claim Aaron as family because he never found out Claire was his half-sister.

Although I'm perfectly happy that Baby Aaron isn't dead after all. Not like I was rooting for toddler death and stuff.

Posted by: ryan at May 24, 2007 10:32 AM

The funeral home appeared to be an African-American funeral home, from the guys standing out front when Jack walked in and the funeral director. So I don't think it was Ben or John, maybe Walt? I don't think the newspaper clipping and the funeral are for the same person.

Posted by: Scott at May 24, 2007 10:42 AM

I have been enjoying your Lost reviews. Happy to see that your writing is getting the expanded audience it so rightly deserves.

Look forward to another PDF/Printed compilation in the future.

Posted by: A.J. at May 24, 2007 11:02 AM

Here's what i'm wondering about, how many of the lostie's got "saved"? I think only the people in Jack's exodus group got plucked from the Island, with all the other groups spread throughout the island staying behind. Jack wanted to get everyone off the Island but wasn't given the choice during the "Rescue". That's why he wants back so bad.
So off the Island are Jack, Kate, Claire, Sun (with baby), Rose, etc. With Sawyer, Hurly, Locke, Sayid, Jin, Alpert etc, still on.
I think they took Ben off the Island too before Jack could kill him, how Awesome would it be to see Ben try and enter normal society, it would be like Brooks From the Shawshank Redemption all over again. Ben can't be in the coffin though, he's too good a character to kill of now.

Posted by: little mcgee at May 24, 2007 11:35 AM

Great thoughts on last night's episode here. I'm not sure about the person in the coffin. There's just not a lot to go on.

However, here's a theory I had -- again, I'm unable to explain WHY things would be this way -- but, just going on what we learned last night ....

1. Jack is guilty and eaten up by getting off the island. He feels he is lying about things too. Apparently, Christian is alive.
2. Kate seems to be in some denial, maybe. She doesn't want to talk about it, or see Jack. And she needs to get home to someone before they notice she's gone. And she looks fabulous.

So, I think that some time-thing has happened. In getting off the island, Jack and Kate must have changed some of the circumstances of their lives. Christian is alive. Perhaps Kate is married to Tom Brennan, her childhood sweetheart?!

But the guilt is unbearable. It's eating Jack alive.

So Season Four will be about Future-Jack trying to get back to the island and set things right.

It's so mind-blowing. My brain hurts.

Posted by: Matt-DC at May 24, 2007 11:59 AM

productivity today SU%CS!! can't think about anything but this epi.

Jud - am going to print and frame "mri was right." i'm NEVER right with this show, which is what makes it fabulous.

as for who's in the casket, i'm not sure they (writers) were trying to convey the racial make-up of the neighborhood as they were trying to show us "bad neighborhood."

'nother thought: Jack as Jacob. so "help me" means "help me get back to the island 'cause i'm a total druggie-alkie-screw-up on the outside."

remind me to never, ever get on a plane with jack. hemingway would label him a bad drunk.

Posted by: mri at May 24, 2007 12:49 PM

oh, one other question: the Canadian installation where Patchy though the 2 Hatch women were supposed to be, possibly the same place that received the signal and contacted Penny at the end of season 2 b/c of the great Hatch kerblooey?

Posted by: mri at May 24, 2007 02:50 PM

I can't wait for Jeff Jensen's "'Blame Canada' Theory of Lost"!

Posted by: ryan at May 24, 2007 02:56 PM

SNORT!! :-)

Posted by: mri at May 24, 2007 05:13 PM

Thanks for all your reviews and theorys, I have enjoyed them so much, you have a good writing style, you make me laugh, keep up the hard work my friend, this is one person who appreciates it ^_^

Posted by: Anton at May 24, 2007 05:54 PM

Also dude, I got a still of the newspaper clipping jack had and it says,

"man found -------
downtown -------

The body of J------"

The ---- is where theres a crease in the paper but my guess would be J is for John Locke or Juliet. My innitial guess is Locke as the episode was about Jack not listening to what Locke was telling him to do. Also Jack says to the funeral parlour dude that he aint a friend nor a relative, so I doubt he would say that about Juliet or Aaron.

Posted by: Anton at May 24, 2007 06:00 PM

growing consensus says that dude in coffin = Jeremy Bentham: the primary creator of the philosophy of UTILITARIANISM - the right action (even if it's ugly) is the action that creates the greatest good (or happiness) for the greatest number. very Ben-esque. no CLUE who he is/will be on the show.

seriously, the last post i'm leaving...i have spent WAY too much of my day researching this stuff.

Posted by: mri at May 24, 2007 10:46 PM

Even weirder: Bentham created this:

http://en.wikipedia.org/wiki/Panopticon

Which I'll be talking about on my podcast this Sunday.

Posted by: ryan at May 24, 2007 10:58 PM

Interesting thoughts about Bentham. Either its someone we've not yet met, or a pseudonym. A natural one for Ben, I might add.

I studied a few screenshots of the article last night, and I can clearly make out something about "loud noises" and "hanging from a beam", for what it's worth.

Posted by: Jud at May 25, 2007 07:49 AM

Refering to Anton's comment, if the name starts with a "J" in the article clipping, Maybe it stands for Jacob. Oh, and about this whole site? You rock.

Posted by: Mark at May 27, 2007 04:01 AM

i dont think that its Calarie's baby because why would Katie say no i dont want to got to that funneral (or some rude sarcastic remark) i have to agree with the person that said Katie was looking very pritty in that last clip but it might be locke cause he might have gottin his lags removed so it made a smaller coffin type thing. but also because he doesnt have any one that cares about him deapply but i still think that Charlie could of ran out and shut the door leaving him and Desmand alive also he did have time for desmend to say 1 thing to Penny but i agree what will make that guy die hes died 2's that week on the show and i dont think there going to get resqued any time soon sorry to say that but i dont think they are

Posted by: you dont need to know at November 21, 2007 11:50 PM

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